Basic Information
| Field | Details |
|---|---|
| Full name | Gabriel Elijah Simon |
| Year of birth | 1998 |
| Parents | Paul Simon (father), Edie Brickell (mother) |
| Siblings | Harper James Simon (half-brother), Adrian Edward Simon (brother), Lulu (Lucia) Belle Simon (sister) |
| Education | Attended Brown University (approx. late 2010s — early 2020s) |
| Stage name | Dogmanjones |
| Debut album (as Dogmanjones) | Mr. Adrian Goes to Kihei — 2019 |
| Public profile | Indie musician; releases on streaming platforms; occasional student-press coverage |
| Net worth | No reliable public estimate available |
The Family Tree I Walked Through Like a Record Collection
I like to picture Gabriel Elijah Simon as the needle settling into a deeply familiar groove — you hear echoes of Paul Simon’s songwriting DNA, but what spins out is quietly, defiantly his own thing. The surname opens doors, yes; it also brings a responsibility he seems to shrug off with a grin and a loop pedal.
Paul Simon — the father — is, of course, the towering figure: the man whose songs are textbooks of melody and memory. In Gabriel’s life that legacy operates like a benchmark rather than a blueprint; you can feel the gravity and then watch him invent his own orbit. Edie Brickell — mother, lyricist, and performer in her own right — is another axis in that orbit, a creative presence that colors the household with indie-rock and soulful cadence.
Then there are the siblings: Harper James Simon, the half-brother from an earlier chapter of Paul’s life, who has his own career and public path; Adrian Edward Simon, close in age and creative temperament; and Lulu (Lucia) Belle Simon, who has been mentioned in family profiles and who, like the rest, lives somewhere between private life and public curiosity. The family reads like a multigenerational mixtape — tracks written by different hands, played on the same turntable.
Education, Early Years, and the Shape of Quiet Ambition
Numbers are tidy and sometimes misleading. The shorthand — “born 1998, Brown University student” — is accurate, but it flattens the texture. Brown, for him, was not just a diploma; it was a lab where ideas collided — literature classes rubbing shoulders with late-night studio experiments, seminar discussions translating into song fragments. He graduated into a world where releasing an album on streaming services is as feasible as handing out mixtapes in a dorm hallway — except Gabriel’s mixtape came with a name that suggests a wink: Dogmanjones.
If you like dates: 2019 is a hinge year — the release of Mr. Adrian Goes to Kihei marks a public debut. The record is short, collage-like, and intentionally lo-fi — more like a series of postcards than a traditional album. That brevity is part of its charm; each track is a snapshot, a vignette, a private joke made audible.
The Music — A Table of Releases and Styles
| Year | Release / Activity | Notes |
|---|---|---|
| 2019 | Mr. Adrian Goes to Kihei (Dogmanjones) | Debut, lo-fi/experimental, short-form tracks |
| 2019–2024 | Singles, streaming presence | Continued activity on streaming platforms; occasional videos and uploads |
| — | Live/Performance | Small, intimate shows and DIY presentations reported in student/indie coverage |
His sound is a collage — a little like the soundtrack to an indie film that never got funding. Think cassette-tape fuzz meeting deliberate, offhand melodies; think Elliott Smith’s intimacy refracted through a bedroom-producer lens, with a dash of modern sample play. It’s the kind of music that rewards listening at 2 AM when your attention is not in a hurry.
Public Presence and the Balance Between Privacy and Profile
Being the child of famous parents comes with an amplified curiosity. Gabriel’s public traces exist but are measured: artist pages on streaming platforms, a social-media presence centered around music, and notes in student publications when a release arrives. He’s not a tabloid fixture. He’s a musician who happens to have a well-known family — and he navigates that as if he prefers to let a song do the talking.
I like to imagine his online footprint as a playlist with a few standout tracks and deliberate gaps — places where he chooses to be private. That’s important: there’s a difference between being notable and being an open book, and Gabriel leans toward the former.
Net Worth, Public Interest, and the Limits of What We Can Know
Here’s a number that won’t appear in any table because it simply doesn’t exist in any reliable public ledger: Gabriel’s personal net worth. There are no authoritative estimates; public attention tends to focus on creativity and family ties rather than bank statements. That absence is telling — and refreshing, in a way — because it forces us back to music and biography, not balance sheets.
A Compact Timeline
| Year | Event |
|---|---|
| 1998 | Birth of Gabriel Elijah Simon (approximate year) |
| Early 2010s | Childhood between public life and family privacy |
| Late 2010s | Attends Brown University |
| 2019 | Releases Mr. Adrian Goes to Kihei as Dogmanjones |
| 2019–2024 | Ongoing music releases and streaming presence |
FAQ
Who are Gabriel Elijah Simon’s parents?
Gabriel is the son of Paul Simon and Edie Brickell — two musicians whose careers form the backdrop of his own creative life.
Does Gabriel perform under another name?
Yes — he releases music as Dogmanjones.
When did Gabriel release his debut album?
His debut, Mr. Adrian Goes to Kihei, was released in 2019.
Which school did Gabriel attend?
He attended Brown University in the late 2010s.
Is Gabriel a public figure with a known net worth?
No — there is no reliable public estimate of his personal net worth.
Who are his siblings?
He has at least three siblings mentioned in public profiles: Harper James Simon (half-brother), Adrian Edward Simon (brother), and Lulu (Lucia) Belle Simon (sister).
What style of music does he make?
His music leans lo-fi and experimental — short, collage-like tracks that favor texture over polish.
Is Gabriel frequently in the news or gossip columns?
He appears mainly in family profiles, student-press pieces, and music-platform listings rather than gossip-driven headlines.