Basic Information
| Field | Details |
|---|---|
| Name | Jasper Armstrong Marsalis |
| Also known as | Jasper Marsalis; musical project: Slauson Malone 1 |
| Born | Mid-1990s (public accounts list mid-1990s as birth era) |
| Nationality | American (public life centered in the U.S.) |
| Occupation | Visual artist, musician, occasional early child acting credit |
| Parent(s) (widely reported) | Victoria Rowell (mother); Wynton Marsalis (father) — commonly cited in public bios |
| Notable public projects | Gallery exhibitions (London, Los Angeles, Aspen), releases as Slauson Malone 1 |
| Public visibility | Gallery press, music press, social posts and entertainment databases |
| Net worth | No verified public record; online estimates exist but are speculative |
Early life & family — a quick, cinematic portrait
I like to imagine Jasper’s childhood like a film cut between two frames: one, a living room where jazz lives in the furniture — trumpets, family portraits, the lineage of the Marsalis name — and the other, a script page or paint-splattered studio, where the insistence to make things with hands and voice emerges. Public accounts place his birth in the mid-1990s, and early credits (a child appearance listed in the 1990s on entertainment databases) suggest he has been orbiting creative worlds from a young age.
Family, in Jasper’s story as reported in public bios, is a constellation of artists and advocates. Here’s a concise roster that orients the relationships you’ll see mentioned again and again in press blurbs, gallery notes, and social captions:
| Family Member | Relationship | One-line introduction |
|---|---|---|
| Victoria Rowell | Mother | Actress, writer, and advocate — known for television drama and public work around foster care. |
| Wynton Marsalis | Father (widely reported) | Jazz trumpeter, composer, and prominent figure in American jazz institutions. |
| Ellis Marsalis Jr. | Paternal grandfather | Late pianist and educator — the elder of the Marsalis musical dynasty. |
| Branford, Delfeayo, Jason Marsalis | Paternal uncles | Professional musicians in the Marsalis family — part of the broader musical pedigree. |
| Maya Fahey | Half-sister | Listed in maternal biographies as Victoria Rowell’s daughter — Jasper’s half-sibling by public accounts. |
| Radcliffe Bailey | Stepfather (through Victoria Rowell’s marriage) | Visual artist — mentioned in family photos and public captions. |
| Lori Rowell, Sheree Rowell | Aunts | Sisters of Victoria Rowell — included here per family references and the additional information you provided. |
Those names read like cameo cards in a movie about a creative family: each one suggests an inherited language — music, image, drama — and Jasper’s public persona practices that language across media.
Art and music career — the twin tracks
When a person walks between gallery walls and headphone speakers, they’re living in two theaters at once. Jasper presents as a hybrid: a visual artist whose work has appeared in contemporary galleries and museums, and a musician who releases experimental material under the moniker Slauson Malone 1. The vibe of both lanes is literate, exploratory, and deliberately porous.
- Visual practice: Gallery listings and press describe paintings, sculptural objects, and installation gestures — work shown in cities like London and Los Angeles, and included in museum-adjacent programs. The discourse around his exhibitions often leans into intermedia themes: text spilling into form, sound suggested in surface, a hands-on approach to materials that feels both intimate and large. Think of canvases that hum faintly rather than scream — subtle compositions that invite slow looking.
- Music as Slauson Malone 1: On the sonic side, Slauson Malone 1 is presented as an experimental project that sits at the intersection of art-world sensibility and underground music — a place where field recordings, collage, and written fragments meet rhythm. Releases and interviews position the project in independent, exploratory circles; the music press describes its textures as deliberate, at times challenging, often rewarding to listeners who like to lean in.
- Early credits & visibility: Entertainment databases list a child acting credit in the early 1990s — a small but telling detail that marks a long acquaintance with public life. Since then, gallery bios and music press have taken over as the dominant public facing materials about Jasper.
Numbers and scope: while specific exhibition dates vary across listings, the arc is clear — mid-2010s onward, a steady presence in contemporary art circuits and experimental music communities.
Public presence, gossip, and the money question
There’s a difference between what people create and what people read about creation. Jasper’s creative output — shows, records, posts — is substantive; the tabloid wheel, however, likes tidy family narratives. Online gossip often replays the same storyline: a well-known actress (Victoria Rowell), a celebrated musician (Wynton Marsalis), and the child born into that story. Those lines are repeated in entertainment pages, sometimes with different emphases and sometimes with claims that are light on documentation.
Net worth? The internet adores round numbers. A handful of celebrity-estimate sites circulate dollar figures for many public figures, but for Jasper there is no audited, public financial disclosure that would justify a headline number. Treat monetary claims as the rumor mill — interesting to note, not definitive.
Social media functions as a contemporary evidence room: family photos, project announcements, and the occasional supportive post (notably from Victoria Rowell) sketch a portrait of someone who both belongs to a famous family network and refuses to be only that — the work insists otherwise.
Timeline (compact)
| Approximate period | What |
|---|---|
| Early 1990s | Child acting database credits appear (entertainment listings). |
| Mid-1990s | Birth era attributed in public biographies. |
| Mid-2010s onward | Gallery shows, music releases under Slauson Malone 1, press coverage grows. |
| Recent years | Continued exhibitions, music activity, and family social presence. |
FAQ
Who is Jasper Armstrong Marsalis?
Jasper Armstrong Marsalis is a contemporary visual artist and experimental musician who releases work as Slauson Malone 1, and is widely reported in public bios to be the son of Victoria Rowell and Wynton Marsalis.
What kind of art does he make?
He works across painting, sculpture, and installation, with an interdisciplinary practice that often blurs visual art and sound.
Is he a musician?
Yes — he records and performs under the name Slauson Malone 1, releasing experimental music that sits at the edge of art-world and underground scenes.
Who are his family members?
Public accounts list Victoria Rowell as his mother, Wynton Marsalis as his father, members of the Marsalis musical family among his relatives, and Rowell’s sisters Lori and Sheree as aunts.
Has he shown in museums or galleries?
Yes — he has been included in exhibitions and gallery programs in cities like London and Los Angeles, and appears in museum-adjacent listings.
What is his net worth?
There is no verified public net worth; online estimate pages exist but are speculative and should be treated cautiously.
How public is his personal life?
Relatively private — his work is the primary public record, while family narratives appear in entertainment bios and social posts rather than in exhaustive public documentation.
